Opeth Beyond Ghost Reveries torrent download

Opeth is more than a just a Metal band-- they are Prog Rock first, and this album has plenty of unconventional, psychedelic compositions to satisfy the adventurous listener.

Soft or not, the album is fantastic. Happy listening. Due to the lack of any transitions between the mellow acoustic section and Death Metal parts, that have become important trademarks of then band's sound, the song format has been literally sliced in half.

This can explain why it took a while until I actually took a risk and listened to this material, but in retrospect it definitely felt like a worthy investment! Damnation might not be as important as Still Life , Blackwater Park nor even Ghost Reveries but it shows that Opeth isn't afraid of taking risks and do whatever they please with their music. If that doesn't make it progressive then I honestly think that you're missing the point of the term.

This is definitely another excellent album well worth the price of admission. Damnation opens with the memorable riff of "Windowpane", one of Opeth's best known songs and righteously, as it is a fantastic track. The beautiful melodic vocals of Mikael Akerfeldt together with the subtle instrumentation creates a hauntingly melancholic setting, which is very common for the album. Another song that does quite reach the greatness of the opener is "Death Whispered A Lullaby", another melancholic piece that features some dissonant yet calm lead guitar.

The album is far from a masterpiece though. My main issue with it is that it's not very diverse and therefore somwhat dull at times. Most of the songs are somewhat similair to each other in sound, often being driven by clean guitar riffs with a mellotron to create a more rich and haunting feel.

This is just to give you an idea of what I mean when I say most songs have a similair sound. Composition-wise, some songs are far inferior to songs like "Windowpane". Damnation is, though being a nice album, far from a masterpiece and lacks consistency to keep me interested for the whole 43 minutes it lasts.

Nevertheless, I completely agree with the people who state this is the album to start with when having trouble getting into Opeth, because of it's soft nature. Though it's always interesting to hear a metal band make such a soft and melodic album, Damnation certainly doesn't rank among Opeth's best. The best track, and only one that stays with me, is Closure. It's interesting rhythms and fine guitar work raise it above the rest of this album.

But now that I've heard other Opeth albums, I wish they had mixed these vocals with some of the power they usually have. I wasn't expecting anything so Floydian or "Porcupinesque" what a bad word, bleah! No growl? No heavy guitars? Why should I look for things like these? Sometimes I like them, of course. When Riverside growl at the end of a 12 minutes song it's functional. Without growl Ayreon's Day Sixteen - Loser wouldn't be the same However this album, far from being "extreme metal", is more in my pot than I was expecting.

The opener is a good song and gives immediately the idea of what you are about to listen to. Please tell me that there are other Opeth albums like this. I didn't take care of lyrics too much, to be honest, because the music catched all my attention. A great acoustic guitar work, an interesting melody over lightly discordant chords and the instrumental parts that make me think to The chorus is very nice and melodic. The sound of the guitar is different from Bryan Josh's but this short instrumental is not so far.

I can imagine Heather Findlay singing on this base. All the album's songs are based on minor chords, with slow tempo and athmospheric guitars. Keyboards are in the background and the bass is what is closer to PT. I like this album. It's probably not essential, and from what I have read seems to be not representative of Opeth, but while I will probably need to listen to other albums before giving an opinion about the band, I don't have doubts about the album. It's a good album that I'm rounding down to 3 stars but it probably deserves a bit more.

It's only because it's not very "original", but it's well played and all the songs are good. Some of them would deserve the fourth star, so regardless my rating if this is a kind of music that you like this album is surely not a waste of money. Let me start with saying that this band has one of the most gifted metal singers of all time, Mikael Akerfeldt, both when he sings clean vocals or when he growls. I was very happy to see that he was able to use all his clean singing capacities in here, and in such a stunning way too.

But Mikael has also a band behind him, each one of them might just be as gifted as the leader. So, generally, the musicianship of this album is intense and at times phenomenal, very precise playing, but without being too rigid or dull. What better element of an album can go better with excellent musicianship?

Amazing production, of course. And "Damnation" has this as well. The mixing is perfect as well, no instrument tries to be louder than the rest, but all instruments are perfectly balanced and equalized. As far as the music is concerned, I think I made clear how different it is from all the other Opeth albums; no metal pieces, tracks guitars, riffs, but just soft, melancholic prog rock, influenced by the greats such as King Crimson especially in the use of mellotron , Pink Floyd, and a little bit from a band very well known in the modern prog scene, Porcupine Tree no surprises finding that Akerfeldt produced it with the leader of the band and friend Steven Wilson.

While they are some electric guitars here and there, put to enrich the sound or perhaps to have a solo, the acoustic ones are the main instrument, accompanied with beautiful retro sounding keyboards, especially mellotron, and Mikael's gentle but very emotional voice.

The rhythmic section though does not stay passive, and in almost every track there is excellent drumming by Martin Lopez, and precise bass by Martin Mendez. The mood and atmosphere of this album is never quite relaxed and mellow, but the songs always have a sort of tension and sadness to them, a sadness that will most definitely affect you somehow. At times the songs can flow very easily, like something that slowly but without being disturbed passes by, in a passive way.

Other times though you can't not stop for a second and listen carefully to the warm and pleasant sounds that come out of this record. Sure, they are some moments that didn't move or convince me as much as these mentioned ones, but it' still a really enjoyable listen from start to finish.

Opeth are one of the most revered progressive death metal bands in the entire progressive world. Since the mids, the band has gotten progressively more..

With the groundbreaking Still Life , they amazed the community with their truly innovative style and willingness to bend the rules of metal. With each consecutive release, the band developed their sound into one of the most mature death metal acts out there. When they released their album Deliverance , Mikael Akerfeldt had the idea of doubling the metal-laden album with a near metal-less album the following year without the consent of his band mates.

The result was the sublime Damnation in The album, full of incredible mellow melodies and jazz inspired and appropriate rhythmic qualities, was a stark departure from their normal style, yet it seemed appropriate for the direction they were headed. Overall, the album is a beautiful representation of this band's potential. From a band so well known for their inventive metallic output, it's often difficult to believe such a mellow, melodic album came from the same band. The songs, consisting of clean guitar riffs, jazzy rhythmic backings, and a strong bass line accented by various keyboard textures contributed by none other than the revered Steven Wilson of Porcupine Tree fame.

The whole atmosphere of the music is truly incredible ' Akerfeldt composes melodies to compliment dark lyrics and themes, with the jazz inspired rhythmic work of Martin Lopez carrying the gentle guitar work along paths of melodic grace, traversing into the airwaves with the conjuration of a simple wisp of musical beauty. This music is truly special. Wilson's accurate use of the mellotron, Rhodes, and other keyboard textures adds to this almost dissonant ambience, filling in the gaps between the band's playing, the vocal melodies, and the harmonic dissonance.

This ingenious and minimalistic keyboard work really adds to the music beautifully. In the end, I must profess my love for this album. It's essentially perfect. It may not be a 'masterpiece' in PA terms, but this album is still damn good. Full of infectious yet highly progressive melodies, inventive playing, composing, and drumming, the whole album is brimming with a sense of vigor and life, yet is easily the band's gloomier and doomier album.

Naming this album's genre would be difficult, for it's almost composed entirely of 70s progressive influences, contains no real metal, yet still has that melodeath twinge of Opethian fame and a slightly doom metal edge going on. However, the album is still a spectacular display of this band's might. It's really incredible that this four piece five including Wilson has crafted such a magnificent work of art. Overall, this album is truly spectacular.

Thanks to the production and keyboards of Steven Wilson, and the delicate somber vocals and guitars of Akerfelt, this album sets a mood and does not relinquish it. The melodies ache with fragility, and on "In my Time of Need", "Hope Leaves", and the CAMEL-influenced "Ending Credits, are the main attraction, but this is more about the atmosphere, conveyed brilliantly in the excruciatingly elongated "Windowpane" and the final few hair raising minutes of "Closure".

The late lamented mellotron era of the s and its essential gravitas is distilled in a manner rarely witnessed at that time, putting a fresh face on a familiar friend.

I'm not saying "Damnation" is bliss but its grasp of the essential value of wallowing makes it a more suitable instrument of salvation, however it might have been intended. Grief never sounded this good. At the time of my first hearing of this beautiful album, I was just starting to get to know Porcupine Tree's discography. A friend of mine had bought the box set that had "Blackwater Park", "Deliverance", "Damnation", and "Lamentations".

He had been a huge Opeth fan, but he was pissed when he heard "Damnation", enough so to swear off Opeth for good. He gave me this box set. Nice guy, right? Anyway, the first disc I put on was "Deliverance" and, even though the first listen was not a thrilling one for me, after I listened to "Damnation" I was very enthusiastic about the band and listened to them with new ears after that. Suddenly, the growling vocals weren't so foreign sounding in this or other extreme bands, except for when that is all they do.

Because of this album, I now appreciate other bands like Agaloch, Baroness and Orphan Land who I probably would have just written off as useless noise bands otherwise. It is true that this album is not typical Opeth, but it still has the ingenuity that exists in their harder albums.

I don't know why I had to have the growling element taken out to hear how much genius is in their music. But this album strips the noise back so you can hear the interesting rhythms, the changing dynamics and the other prog elements. Some people say this album lacks emotion, but I disagree. The music is still dark, just like it is when it is heavy. The vocals are expressive and beautiful. The guitar is passionate at another level than it is when everything is loud. The mellotron, when it exists, adds a new element not present in their music before.

I'm not expecting to sway the lovers of the old Opeth over to the new sound, but I'm hoping that maybe those that are a little afraid of the old extreme sound of Opeth might be convinced to give this album a try and maybe it will become a bridge to tech metal and other talented band the way it has for me.

I call this a masterpiece because it did prove that in a wall of noise, you can still find genius and beauty if you strip it down to the basic elements first, then add them back in.

You might be surprised what you discover. After an impressive string of well-crafted progressive death metal albums, frontman Mikael Akerfeldt thought it would be interesting to create two polar opposites musically.

Deliverance would focus on the band's heavier side, going on to be one of their harshest and darkest recordings, while Damnation would be entirely devoid of death growls or any form of metal. I can only imagine how much this split the band's fans at the time of its release, as Damnation's tonal and dynamic shift was easily their biggest stylistic departure up to that time.

Now we have Heritage and Pale Communion nodding to the band's 70s progressive rock roots and stirring up the fanbase even more, but Damnation points to a palatable blend of classic progressive rock, folk rock, soft rock, and some symphonic elements here and there.

It still remains Opeth's most subdued recording to date, and the melancholic vibe is strong in this one that its presence seeps into every song in some way and enhances the emotional resonance beyond just the songcraft. In fact, the black and white album cover, depicting a doll and a wooden desk, is a perfect companion piece to the music within.

Steven Wilson is, once again, at the helm of production as well as various instruments such as the keyboard and mellotron , and his work is immaculate here. The instruments blend together phenomenally, especially heightening the chemistry between the guitar and bass work throughout the record.

For instance, songs such as "Windowpane" and "Ending Credits" are able to layer keyboards, electric guitar, acoustic guitar, and bass work on top of each other without muddling the sound in the slightest.

Despite this, the band still capture a sort of contemplative and sparse atmosphere that captures both a sense of bleakness and resignation. Of course, we can't forget Mikael's strong vocal performances, either. His voice sounds dreary and calm, but never in a way that it sounds as though he's lazy or careless.

It's simply subdued, and melds well with the soft dynamics of each piece; in fact, the harmonies on this album are just gorgeous! There's one section in "Hope Leaves" that always strikes me as particularly beautiful, in which about 4 or 5-part vocal harmony actually fades into the next instrumental section after the chorus.

Little subtleties like that go a long way on this record. The other members are great as well; Peter Lindgren, Martin Mendez, and Martin Lopez on guitar, bass, and drums respectively display both restraint and a decent amount of technicality at the same time, which is a tough balance to effectively pull off. Mendez, in particular, gives a strong bass performance that's in the foreground much more frequently than in most other Opeth albums; his work on "Windowpane," "Closure," and "Death Whispered a Lullaby" is especially strong.

As for the lyrics, they're a bit stripped down this time around in comparison to albums like Blackwater Park or Still Life, but that's not necessarily a bad thing. They might be simplistic and lack some of the incredibly detailed imagery of the past, but the more personal and intimate writings heard here seem very fitting for a softer and more somber piece of work.

Unfortunately Damnation does get a bit repetitive and homogeneous after a while. The band do their best to try and shake things up, but songs such as "To Rid the Disease" and especially "Ending Credits" just don't do much for me. The latter seems completely unnecessary, totally hampered by needlessly dull songwriting and highly uneventful passages. Not only that, but it seems bizarre that a song named "Ending Credits," which sounds like the musical version of a curtain call especially as an instrumental with a fade-in and gradual fade-out , is the penultimate song here.

That's not taking anything away from "Weakness", however, which is a great closer. As for "To Rid the Disease," it's actually a decent song, but the second half is quite a drag compared to the first. The piano playing by Steven Wilson is a nice touch in the background, but the instrumental flourishes aren't very interesting and become increasingly dull. With the exception of "Hope Leaves," I prefer the first half of Damnation by a pretty wide margin.

Either way, I can't deny that this album has grown on me over time. It's flawed, certainly, but the atmosphere is beautiful in its somberness and the songwriting is top-notch in most of the songs. The reason I consider Damnation a better record than other classic prog Opeth albums like Heritage and Pale Communion is because it seems like less of a blatant throwback and more of a 70s prog-influenced piece with its own identity.

Basically, it's the same old Opeth meeting the old prog legends with a passionate love letter? If you enjoy classic 70s progressive rock or want to hear a softer version of Opeth's typical sound, I suggest giving this a try. It might be a jarring shift in style for the band, but make no mistake: this is the same band, just adorning a different, refreshing coat of paint.

First of all, I must explain how I met Opeth. A couple of years, my eldest son told me about this band, and he said to me that they are a very good heavy metal band. He and one of his best friends really love the group, and they listened to their music very often. So, I must confess that I became very curious about them.

As I didn't know if they were a progressive group, I decided to take a look on Progarchives. In reality, I confirmed that Opeth was a progressive metal band, but I stayed suspicious, when I read that they have a strong influence of death metal and that their vocalist often uses death metal growls, when he sings.

Sincerely, I don't like really of death metal and usually I don't like growls. Probably, somehow, I'm an out of fashion guy. I belong to those who think that a real vocalist must sing. However, as my son likes the band, I ordered few albums to my usual supplier. If I didn't like them, they would be for him.

One of their albums received by me was their seventh studio album "Damnation" released in As I had already read, it's the band's most accessible work and hasn't any kind of growls.

So, I decided to start my introduction to their music, beginning to listen to this album. Sincerely, I must confess that I was very surprised when I listened to the album for the first time. It's the first album that explores the group's non heavy metal sound, it's almost completely devoid of any metal trappings, and it's almost focused on acoustic instruments and traditional song writing.

By the other hand, the vocalist didn't use any death metal growls, and surprisingly, he has an excellent and beautiful clear voice. So, "Damnation" was for me a very nice surprise. It's a totally different kind of work of the group, full of beautiful ballads and melodic songs and has a very peaceful musical atmosphere. But, as I said before, this is an atypical musical work of the group, until then. All the other songs were written by Mikael Akerfeldt, the mastermind, front man and the main composer of Opeth.

As I wrote before, it has also the cooperation of Steven Wilson backing vocals, keyboards, electric piano, piano and mellotron , as a guest musician. The first track "Windowpane" is the lengthiest track on the album. It's a very tasteful song, a beautiful and creative composition, with a pleasant guitar backed by the sound of the mellotron. The second track "In My Time Of Need" is a very beautiful ballad, with some of the best lyrics on the album, and the mellotron continuous sounding on the back.

The third track "Death Whispered A Lullaby" is another nice composition, and is most notable for its vocal harmonies and the fairly aggressive guitar solos, on some parts of the song.

The fourth track "Closure" is a song with some really nice guitar work, and is probably one of the strongest songs on the album. It oscillates between the calm and aggressive parts, during all over the theme. The fifth track "Hope Leaves" is another beautiful and very calm ballad, probably the most beautiful on the entire album. It has some pretty good lyrics too. This is one of the best songs on the album, with simple vocals, a strong melody and it has a good guitar work, too.

The seventh track "Ending Credits" is a very pretty and romantic instrumental track. It sounds very much like an Andy Latimer's song composed by Camel. This is also another very beautiful song. This isn't properly a great surprise, since Akerfeldt always had sustained that he likes very much of Camel, and Latimer is one of his musical influences.

What better propaganda can a group have, when it's done by someone you aren't expecting? The last track "Weakness" is the softest song on the album, and ironically because its name, it represents perhaps, the album's weakness.

I don't mean that this is a bad song, but in my humble opinion, it's a little bit out of the general quality of the album. Conclusion: "Damnation" is a very special Opeth's album and represents, at the time, an exception into their musical career.

It's one of the most beautiful albums made by the group. This is really a very good and enjoyable album. If you don't know Opeth yet, and like me, you dislike death metal growls, you must listen and buy "Damnation". In the first place, it's a very beautiful album and the most accessible of the group. In the second place, may be you start to be attracted by the band and you start to love the group, like me. So, "Damnation" may be your starting point with Opeth, and the beginning of a great love between you and them.

Opeth is undoubtedly one of the best groups in our days. Prog is my Ferrari. Wanna her progressive rock with feelings? This release catapulted Opeth to the rest of progressive rock fans who were looking down on them because of growling vocals and death-metal drumming. At the time of the release, I belonged to the second group of listeners and despised other Opeth recor This is an excellent release from Opeth.

Notable for having no death growls, long before their move to a "grow-less" prog rock sound in the recent years it turns things down and focuses on an album full of mellower, but still very dark, songs. What really makes this album great is how all the The musicianship is impeccable, the compositions refined and the production, courtesy of Mr Steven Wilson is obviously top-notch But there had to be a but.

With no end credit! In fact, this is the only work of Opeth I heard, and I do not care what the rest of the band I'm starting off this review by saying that I love Opeth's calm side. Damnation is a very different album comparing to the rest albums on their discography.

Altough, many people bash it for being a calm album, without those heavy riffs, growls Windowpane is a very nice song to start the albu It's hard for me to try to enter the world of Opeth.

My only experience had been with the band was Blackwater Park and was not a very nice thing. In my opinion these guys had a lot of quality, but everything was thrown in th Best Song: Windowpane If you look at the ratings, you'll probably see which side of the band I end up preferring. Yes, like I said in the previous review, Opeth split up their style into two vague incarnations and released them in two subsequent years.

This is a great album, but quite surprising for most of the Death metal fan of Opeth. I personnally hate that style of music, the only exception being Opeth In fact growling has been a blocking point, when I first heard Opeth album, despite the great critics of their album. I get used to it, t Although not your standard Opeth record if there is even something lik a standard opeth record, which i higly doubt.

I used to consider this album a masterpiece. It is, without a doubt, absolutely beautiful, mellow art rock, one of its kind. With this release Opeth proved that without growling and distorted guitars their music is still compelling and captivating. Damnation, along with Deliverance make up a complet Opeth is arguably the greatest metal band of all time, but what gives them the edge is their ability to step outside of metal and nullify the usual objections about the genre's limits, while stlll making full use of all its possibilities.

So in short, it is the non-metal side of their sound th Opeth has always been unpredictable. One second they are raging death metal, the next, they are quiet, acoustic rock. Come the early 's and they decide to show the best of both worlds by releasing two albums: Deliverance and Damnation. Deliverance focused on the heavy side, while Damnation Many critics, espeically scene Opeth fans, consider this album to be terrible and not an Opeth album.

But I believe that this album encapsulates everything that I love about Opeth. The songwrtiting on this album is phenomanal , the musicianship is amazing and the atomosphere is both eerie and b I strongly recommend this album for all 70's progressive fans.

Forget Opeth is a metal band. Akerfeldt plays and sings here like his ancient heroes, over the top Andy Latimer he's a big Camel fan and Steve Hackett and a bit of Robert Fripp. There are a lot of good swedish albums in modern ag Damnation is certainly the most ambiguous album of Opeth because it just does not have any brutal vocals!

If someone is used to the combination of furious death metal along with ethereal progressive compositions, then this album may seem strange. But, the songs are a tremendous example of progres What a beautiful sounding record with great playing, great songs with excellent chord changes, understated vocals, excellent arrangements and production.

The whole thing is cool and understated - there are no growling vocals and no crunching riffs. Now, whether this will appeal to Opeth fans Damnation contains a lot of great music, but there's a huge problem with it. The album really goes nowhere. There is no adventurousness found on the album. While the songs are great, they are all pretty much the same, with the exception of "Closure", which contains some excellent drumming and e Released just a couple of months after "Deliverance", "Damnation" can be seen as Opeth's experimental album, since the music present on this piece is much different than the music present on the other albums released by this swedish band.

Opeth's music is defined by contrasts: the contrast bet First off, I'm completely new to Opeth, and have never been a fan of death metal, which I find puerile in the extreme. Being of an open mind, an And I, should contemplate this change and look away Boy am I glad I did. This record is great! Windowpane, honestly, didn't hit me too well.

I didn't think it was that good a piece of music. It's pointlessly long and overplayed by my friends. Point being, it's not bad, just too long. You must be a forum member to post a review, please register here if you are not. Copyright Prog Archives, All rights reserved. Please consider supporting us by giving monthly PayPal donations and help keep PA fast-loading and ad-free forever.

Damnation isn't the style of music Opeth normally stands for. Sometimes there are songs on earlier albums sounding similar but a whole album in this style isn't normal for Opeth. We also got to know that there will not be a similar project in the future and this album just was a short excursion. What we find on this album is a lot of Porcupine Tree and Camel.

On this one he also appears as a musician, he played all keyboards and I think he also has some vocal parts, at least some backing vocals. And that's the style of this quite mellow album, beautiful prog songs with a strong Porcupine Tree and a flimsy Camel touch. So this is a very fine album by this great band but totally different to their other releases, like said before exept for some songs on earlier albums. If you like Porcupine Tree or Camel this album is a good one to buy.

But even you don't know Camel or PT you can't do anything wrong with this one. I'm a fan for years now but the band didn't get a real chance on our site except a concert review and a recent interview because it was clear that proggers were resented by the heavy intermezzi and the rolling grunt.

From time to time there were some voices rising that rather liked the music. And, as Mikael told us recently during the interview, "Damnation" is a CD that will be appreciated by the most obdurate progfan.

There's no excuse for not buying this any longer. It doesn't mean that the band is selling out or that they want to get round a larger public by all means but it's just a natural evolution from this collective of skilled musicians. After the heavier "Deliverance" there's now the quiet "Damnation". Now that he's decided he doesn't need them, his castoff prog bits get used to confuse the development of an intriguingly different heavy band.

I like many am really wondering what the fuss is all about this band. I have heard their last three albums and think that there are elements that make them undeniably belong on our site but not much more than most Progmetal or say tool. I do enjoy the prog overtones but let's face it : if it wasn't for Steve Wilson's Kb on this album especially for the tons of Mellotron , would there be so much of a debate.

I as an old geezer for some of the younger humanoid shapes of living forms tend to think that Maani's point of view as closest to mine but this does not stop me from enjoying hearing a few tracks from those last three albums but say no more that 30 min , because they did not invent anything new either. I didn't know this band until I got a promo-copy, within a few minutes I was blown away by their emotional music: eight mellow and moving songs with majestic violin - and choir Mellotron, pleasant vocals, beautiful twanging and rhythm acoustic guitar and varied electric guitar work from fragile to fiery and howling.

If you want to escape from this superficial, commercial and chilly world, this CD could ease your pain a little bit. In my first review i was rather harsh on this album because it had no metal elements. At first i found this disapointing as it only has mellow tracks so i didn't give it much of a chance. I still think that Opeth had a better writing formula on "Blackwater Park", as this album had the perfect balance between mellow and heavy parts.

I fell in love with this album at first spin and it didn't come out of my cd-player for days! Player busca en google, sale altiro. Descarga la carpeta aca se encuentran las 8 partes, MB. No voy a seguir escribiendo mas weas, ya que esta banda es ultraconocida CREO , entonces descarguen nomas. Bueno cabros, por ai pidieron Sepultura, y aca estan las weas, bacilen ahora con estos locos.

Los fundadores fueron los hermanos Cavalera Max e Igor. Eso po, queria destacar a la gente de otros blogs que visitan "El Mundo Judo 2. Querian Slipknot, tomen Slipknot po. Aca tienen los discos oficiales de estos cabros oriundos de des Moines, Iowa, que tenian a gran parte de los visitantes de este blog atentos a su ultimo trabajo, el cual ayer llego a mi poder, y espero que les guste, yo aca puse los discos oficiales, ya que los conciertos que tengo, otro dia los subire, por mientras disfruten de estos discos.

Otra vez gracias por hacer llegar a este blog a las visitas, y que cada dia va en aumento considerable. Uno de los mejores grupos del Thrash Metal de Alemania, junto a otras bandas de la misma zona, como Sodom y Destruction.

Ya no hay mucho que escribir acerca de la banda, ya deben saber algo ustedes, y los que no saben, mala cuea. Principalmente esta banda comenzo Grindcore, de tendencias anarco punk, pero despues adopto mas el lado Death Metal hasta estos dias. Algunos ex miembros de Napalm Death desertaron la banda para luego formar otras bandas, que ahora son muy conocidas, como es el caso de Godflesh y Carcass.

Vamo a ofercerle en el blog todos los discos que tengo de esta banda, icluyendo EP y LP, y seria. Banda ql buena, que supuestamente ya todos conocen por la caracteristica brutal de su musica, sus letras y carartulas que han hecho polemica a nivel mundial.

Bueno cabros, aca les traigo una discografia de un grupo que personalmente se encuentra dentro de mis favoritos. Dejare aca todos los Halo lanzados por NIN, mas algunos discos de covers, estaran ausentes los llamados "Seed", ya que son compilaciones de lo que ya esta en los Halo. Dense la paja de bajarlos y escucharlos todos MTF!.

Actualmente se erradicaron en Inglaterra. Pedido cumplido. Actualmente estan en las pistas, con un disco nuevo, y con un basto exito. Muchas polemicas ha causado este grupo, en cuanto a los dichos y hechos de su lider, Glen Benton, por lo que han sido censurados en mas de alguna localidad.

Music Playlist at MixPod. Comenzaron su carrera musical con el nombre de Septic Broiler, y fueron conocidos en un principio con su primer trabajo, Skydancer, que en ese momento estaba participando como vocalista, Anders Friden, quien despues se retira para unirse a In Flames, otro icono del Gothemburg Metal. Llega a su reemplazo, Mikael Stanne, quien anteriormente era guitarrista. En sus primeros trabajos, DT era una banda netamente Death Metal, pero desde su minidisco en adelante Enter Suicidal Angels , toma protagonismo el teclado para darle un sonido propio a la banda, melodico y melancolico.

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